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Having read all three of Stieg Larsson's novel trilogy featuring his super heroine Lisbeth Salander, and having seen all three of the Swedish movies adapted from those books as well as the American version, I have arrived at one conclusion. The Swedes win, at least when it comes to the first film adaptation of the trilogy, The Girl with the Dragon Tattoo. Larsson's narratively compelling, bizarre revenge fantasy of a badly abused young woman with a very compromised persona, which comes alarmingly close to a diagnoses of Asperger Syndrome, was a one in a million super world-wide best seller hit.

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But without Noomi Rapace, how good can it be? Spoiler warning! This new movie had a lot going for it.

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From early childhood, Salander has a history of violence and vindictive behavior. Most of the incidences are triggered by attacks either to herself, or to the few people she cares for. One time she was beaten by a school bully, but she refused to back down even though she was no match for him.

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Foy replaces Rooney Mara as central character Lisbeth Salander — the bisexual world-class computer hacker who teams up with disgraced journalist Mikael Blomkvist to solve mysteries. Salander has a background of abuse, which inspires her to embark on a mission of revenge against men who hurt women. Because of that backstory, the typical Hollywood approach to shooting leading women could have been extremely inappropriate. What conversations did you have with Fede about that, and what did he say to make you trust him?

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There is a similar Lisbeth Salander in my life, so I know first-hand how complex this character is. Sometimes these people look like pretty flowers, but when you try to pick them, you discover stinging nettles in your grasp. Autism is still not completely understood.

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The scene toward the close of Stieg Larsson's "The Girl Who Played With Fire" is gut-wrenching: Two men tie up and take turns raping a year-old prostitute who has been lured to Sweden in a sex trafficking ring. The wildly popular author of the "Millennium" trilogywhich also includes, "The Girl With the Dragon Tattoo" and "The Girl Who Kicked the Hornet's Nest," is graphic in his descriptions of violence against women, and now his closest friend reveals why. Larsson had his own dark secret.

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The laconic hacker cleans up her look for much of the film as well, abandoning her severe goth style as she is forced to dive into her tragic past and discovers her long-lost father is Russian gangster Alexander Zalachenko Georgi Staykovwho is behind the conspiracy to frame Salander. It all culminates in a brutal confrontation between father and daughter as well as Lisbeth's hulking half-brotherwhich leaves our heroine shot multiple times, beaten, and buried alive as she takes on her evil family. Eschewing their equal partnership, Lisbeth takes center stage in The Girl Who Played With Fire as Blomkvist gets a supporting role; apart for much of the film, Mikael finally learns about Lisbeth's past and also finds the DVD of her rape at the hands of Nils Bjurman - to his credit, he couldn't sit through watching it.

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Lisbeth Salander is a fictional character created by Swedish author and journalist Stieg Larsson. She is the lead character in Larsson's award-winning Millennium seriesalong with the journalist Mikael Blomkvist. In the only interview he ever did about the series, Larsson stated that he based the character of Lisbeth Salander on what he imagined Pippi Longstocking might have been like as an adult. Kulla" displayed on the door of her apartment on the top floor of Fiskargatan 9 in Stockholm.

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Was the subject matter, so popular in paperback, too tough to draw in female audiences? And what was the deal with that whole embargo imbroglioanyway? She walks into his room, takes off her bottoms and climbs atop him, and the whole thing is antiseptic, transactional, and thoroughly perfunctory, even though the two characters actually like each other quite a bit.

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The Hollywood adaptation would have greater impact if the Swedish film had not been so well-received. There is little variation in scenes, even down to the manner in which certain flashbacks are staged. And now, it has seeded a great American movie.

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